Category Archives: architecture

Webster’s Land and the Forbidden Triangle

I am an explorer at heart. Disappearing off alone and finding new places is a joy. Sometimes it is more than a joy; it is a necessity.

So when I read about a place only a short walk from the furthest edge of the Patch called “Webster’s Land”, my interest was piqued. My fellow Wren Group member and wildlife surveyor extraordinaire, Paul Ferris, mentions this place on his website.

I walked down the path between the River Roding and the City of London Cemetery, eventually losing the Roding to the Ilford golf course and picking up its tiny tributary, the Alders Brook instead.


The Alders Brook

I left what I consider* to be the end of the Patch by walking through a concrete and brick tunnel underneath the railway track (between Manor Park and Ilford stations). I won’t pretend there wasn’t a little trepidation as I read the writing on the wall.


Apocalypse now? Or light at the end of the tunnel

If the other side of the tunnel looks pleasant, that is because it is the Patch. I turned around to take that photograph for effect, but the Ilford side of the tunnel is somewhat less welcoming… Although the blue-painted concrete walls did match the sky that day.


The concrete continued. After crossing a road or two I wandered through the streets of various housing estates with some bright colour schemes – presumably added to soften the brutalism of bare brick and concrete.



I know many disagree with me but I personally find something aesthetically satisfying about the municipal and social architecture of the 50s-70s. Although even I wondered whether more inviting street names could have been found than ‘Warrior Square’?  The military theme continued when I found ‘Jack Cornwell Road’.

Digression alert: As any military historian would tell you, Jack Cornwell – a local boy from Leyton – was only 16 years old when he fought in the horrific sea battle of Jutland in World War One. His ship, HMS Chester, came under enormous fire and the entire crew that manned his gun were killed except him. He was found manning the huge gun alone, badly (in fact mortally) wounded, surrounded by the bodies of his fellow crewmen, exposed to further fire but refusing to leave his post and just “quietly awaiting orders” as the citation reads. He died of his wounds and was posthumously awarded the Victoria Cross for his astonishing bravery. He is buried locally and – so I discovered – also had a street named after him. Here ends digression.

Eventually I found the long, narrow strip of grassland that Paul Ferris had written about: Webster’s Land. I had Paul’s photo in my mind (inset in the photo below) which was a mistake. Paul had visited at summer when the grass had been allowed to grow into a pleasant meadow. The bare trees and mown grass was not quite so appealing when I arrived on a cold winter’s day:


Webster’s Land looking down towards Ilford Little Park

I don’t quite know what I expected to find there, but whatever it was, I didn’t find it. I turned around and left.

As I walked back to the Patch, I reflected on what I had seen and what I had been expecting. With the exception of a few local dog walkers and joggers, very few people visit Webster’s Land. Very little is known or written about it. Although Paul explains that it was left to the people of Manor Park by another military figure, a Lt. Colonel Webster. This thin strip of land is sandwiched between a housing estate and the North Circular road. A line of cherry trees hides the busy road. A buffer of common land.

I thought more about this buffer as I walked along an even narrower strip of common ground fenced in between the cemetery and railway line.

Roding railway walk v2

It is a long walk. A necessary evil for those of us needing to connect up two parts of the Patch and can be a destination for few other than drunks and junkies (in case you detect a sneering tone of condescension, I assure you that actually I am grateful for such places and offer no judgement whatsoever on those of us who feel we need to escape ‘civilisation’ or just ‘life’ in body and mind).

At the end of the narrow path, we arrive at another buffer zone. Another no-man’s land in an overpopulated city. A large, bleak place with little human purpose. Not as wild or natural as the Flats, not neat enough to be a ‘park’. A place so insignificant it doesn’t even have a name, although some might consider it to be a continuation of the Flats with just another bi-secting road. We call it the Forbidden Triangle as it seems to offer little prospect of interesting birds. [Edit: The person who initially set out the delineation of the Patch has informed me that it is actually called the Forbidden Triangle, because we can’t count any birds we might see there for the Patch – luckily there seems to be very little there.]

All of the places mentioned in this post could do with being allowed to get a little wilder in my mind, but frankly, I am just glad that these spaces exist at all. If you want to read more about such places, or their slightly wilder counterparts, I can highly recommend Rob Cowen’s excellent book, Common Ground.


The ‘Forbidden Triangle’

Forbidden triangle

1: ‘Forbidden Triangle’ 2: the ‘long narrow walk’ 3: Webster’s Land

 *Others consider that the Patch ends before this point, but I feel that would abandon this small strip of land to a limbo state, so I include it.

Mapping the land

A sense of ‘place’ is very important to me. Understanding my ‘Patch’ in the UK requires understanding a bit about East London, Epping Forest, Essex, English parkland, scrub, grassland, and woodland.

I have written many words about the ‘place’ of the French ‘Patch’; the Mediterranean scrub (maquis and garrigue), the foothills of the Pyrenees, Aleppo Pine woodland etc. Context is important, whether that be geographical, geological, climate, botanical, etc.

For these reasons, I am slightly obsessed with mapping the land. I have done a bit of that before, but I wanted to share some free online tools that I find super useful when trying to understand the patch that I study.

First, location. The blue dot below shows you how close we are to the Mediterranean and to the Pyrenees.

France map

Thanks to Google Maps for this and the other maps

Second: area. The ‘Patch’, as I define it, sits within a trapezoid of four small French villages. The total area that I watch for birds and other flora and fauna is just under a whopping 10km squared. I know this because a website allows me to calculate it pretty accurately:

Blanes patch area

Remember that I am the only person who ‘works’ this Patch from a wildlife perspective, and only a few times a year. To set it in broader context, it is interestingly almost exactly twice the size as my London Patch (France c.10km2 vs Wanstead c.5km2) which is Wanstead Flats, Wanstead Park and some intervening streets combined as well as being ‘worked’ or watched by several other people on a regular basis.

In terms of elevation, the lowest point on the French Patch is around 166 metres above sea level whilst the highest point (Mont Major) is a pretty lofty 534m. My wife took the picture below of me standing on the highest point looking down over the Southern valley with the Pyrenees away in the distance.


For another reference point, the Wanstead patch is exceedingly flat and low in comparison; ranging from 7m above sea level to 30m (that is the height of a medium sized tree!).

Although I know my way around the Patch pretty well now after a decade of regular walks, I have still found it useful to map key landmarks and paths on top of Google Map images to help me get a sense of scale.

Macro map Blanes

The entire Patch and surrounding villages

To give a sense of perspective, the red marked ‘track’ (or ‘chemin’), that we have to drive to reach the house, is almost exactly 2km long. If you are wondering how I can be so precise, it is because Google Maps has a helpful tool to measure distance accurately.

Track distance

Zooming in a bit from the colour-coded annotated map above, I have produced several more detailed maps showing routes of walks and landmarks, such as the example below. As you can see, I don’t exactly use scientific or formal names for the routes and places on the Patch (hence the ‘steep bit’) and will sometimes name places after wild features or species that I associate the area with, e.g., “Bee-eater Valley”, “Holm Oak Wood”, and “Griffon Vulture Hill”.

Mont Major

Using the nifty 3D functions on Google Maps (no, this isn’t a sponsored post), the topography is brought to life a little more by the the image below, with the house marked with a blue dot and the highest peak to the top left at the end of the orange line.

3D Blanes map

The main stream which rises on the Patch and flows West then North towards the little town of St Pierre-de-Champs is named after the land (or vice versa). ‘Ruisseau de Blanes’ is some 5km long (again thanks to the tool on a well known free online map) and joins a tributary of L’Orbieu river which, in turn, joins the river Aude (which shares a name with the department/province we live in) and flows into the Mediterranean just North of Narbonne.

Ruisseau de Blanes

For much of the year, the stream bed of Ruisseau de Blanes is dry above ground. As part of my obsession with understanding every bit of the Patch, the other day I decided to walk along the bed and track my way to the edge of the Patch. This is far easier said than done, as some sections of the river are inaccessible, extremely steep, or heavily overgrown.


Looking back upstream with the outcrop we call ‘Eagle Peak to the top left


Scrambling my way over an ancient rock fall on the stream bed

At points the silence, that is so alien to my London sensibilities, was almost overwhelming. No traffic, no planes, no running water, no summer insects, very little bird noise. A Raven‘s deep croak echoed in the valley and got louder and louder until the giant corvid came into view low over the trees. I was staggered how loudly I could hear its wingbeats; wingbeats which sped up rapidly when the bird caught sight of me. The different pitches of the wingbeat of every bird that I came across became clear in the silence, even the high speed flutter of firecrest and Goldcrest as they darted from tree to tree.

It was a jolly adventure. Jolly that was, until I worked my way back the way I came and realised I had lost the point at which the woodland path joined the riverbed. I then remembered that when I had broken out of the heavy maquis onto the stream bed, I had taken a photograph looking downstream. I studied the picture and walked backwards trying to make the puzzle fit. Eventually, I found the right point (took another picture – see below – to illustrate the story) and then found the hidden path to the right.

Blanes brookv2

Image to the left taken about an hour before the one on the right

Of course, we have lost so many of the ancient instinctive skills of tracking and mind mapping the land that our ancestors would have used daily (and without the use of camera phones and Google Maps!)

Throughout history I imagine we have always looked for features to give us a sense of place. On the Patch we have a tiny remote chapel that is but a node on a huge long pilgrimage walk.

I often drop by, noting the goat droppings on the floor and the rusty little cross on a makeshift rock altar. But yesterday I noted a new feature, above the crucifix and some christian graffiti was a twisted stick. I don’t know what this stick was, but I perceived it as an echo of a more ancient religious mandala; a pagan offering, perhaps, helping to place this little religious building in the natural world around it. A sense of ‘place’ that seems to stand outside of time.


From dawn til dusk: in Spain

This Sunday I spent all day birding. From dawn until dusk. In Spain.


Juvenile Black-winged Stilt (Himantopus himantopus)

The architect of this short and intense day of birding was my patch colleague, Jonathan, who has written up a great trip report on our day (and night) out. So, I don’t wish to duplicate what already exists on t’internet, nor can I duplicate the quality of his photos.

So, instead, I will do what I do best on this blog: ramble on a bit about my experiences in the wild: or rather, the impressions the wild leave on me and pepper these thoughts with lists and poor photos of the birds I see. Sounds gripping, huh?!

Spain is an important country for me. I spent a formative early-adult year of my life there and fell in love with the country, the culture, the people, the food, and even the language. I know some people think Italian is the most beautiful language in the world, or French, but nothing beats Spanish for me.

¡Ay sol! ¡Ay luna, luna!
Un minuto después.
Sesenta flores grises
enredaban sus pies. – 
Federico Garcia Lorca

The day began in the hills near Alicante. Just up from a rural town called Xixona.


As we drove along a narrow lane, Rock Sparrow flocks bounced through the olive trees in front of us with Serin, and Goldfinch in accompaniment.

Bushes clicked at us with Sardinian Warbler whilst Cirl Bunting threw their colourful heads back and sang to us in the bright light of a November morning.

But it was further down the hillsides where we found the first of our avian targets. Down in the rougher, drier land in the shadow of industrial factories and warehouses.


Abandoned building near Xixona

Way above us there were dots circling the peaks slowly like flies drunk on fermented fruit. Flys with bald heads and close-to three metre wingspans that is.


Four, possibly five, Griffon Vulture (Gyps fulvus). No, really!

I could zoom in more, crop, and present a more feasible record shot in all its pixelated glory, but the picture above captures the moment better for me.

We stood on one side of a small gorge and looked across to the other. Below us a small farmstead house (finca) obscured unidentifiable, parachuting larks (Thekla Lark or Crested Lark we wondered?). The finca’s inhabitant, an elderly Spanish farmer came up to see what two men with telescopes and cameras were doing above his land. But there was no hostility. He walked up the steep slopes, stood behind us for a while and must have wondered what kind of strangeness had been visited on him as we took turns to peer through a scope and celebrate distant views of Black Wheatear. The old farmer wished us a good journey as we left him alone on the rocks.

The gorge was surveyed by a Blue Rock Thrush and a small dole of Rock Dove nestled in holes in the vertical slice of sedimentary rock; geological time made physical.


Rock Dove (Columba livia)

Jono and I swapped dust and sand for water and reed at the famous wetland site of El Hondo:


El Hondo


It was from here that Jono found a Bluethroat on the shore

We were lucky enough to watch a single Marbled Duck, a life first for both of us, paddle silently amongst the Pochard, Mallard, Coot, and Shoveler.


Marbled Duck (Marmaronetta angustirostris)

Outside of the threatened marshes of southern Iran and Iraq, these are very scarcely and patchily found ducks. Whilst that was Jono’s only life tick of the day, I had three other lifers including a monster. Not a monster find or tick, just a monster…

There was an amusing moment as we first approached a pool when I smiled into my binoculars and told Jono I’d just seen a life tick. “What? A Moorhen?” came the reply. But eventually the giant came into view for Mr L as well; a bird superficially similar to Coot, but twice the size and stunningly coloured, looking like it had just swallowed three Moorhen whole.


Western (formerly ‘Purple’) Swamphen (Porphyrio porphyrio)

The artist formerly known as Purple Swamphen strutted about the reserve with its bright red, raspberry beret (sorry! I couldn’t resist that). Its relative size emphasised when a flock of ibis collected around it. We saw many more that day of both Swamphen and Glossy Ibis.


Glossy Ibis (Plegadis falcinellus)


We were also treated to brief appearances from Bluethroat and the onomatopoeic Zitting Cisticola. This was all whilst eagles crossed over our heads repeatedly. I had really hoped to see Bonelli’s Eagle, and perhaps the level of hope almost allowed myself to ‘string’ some of the early views of Booted Eagle into my intended quarry. Whilst not a lifer, the pale morph of these diminutive eagles showed well and we saw several throughout the day.


Booted Eagle (Aquila pennatus)

The vast El Hondo reserve was great but still largely remains a mystery to us both as its largest lake was hidden behind a biblically large wall of reeds that would have taken hours (almost literally) for us to walk around and peer behind its curtain. Time was against us and so we moved on to an even larger wetland system of salines called Santa Pola.


Torre en Santa Pola

We watched a number of waders ranging in size from Dunlin, Sanderling, and Kentish Plover, through Turnstone, RedshankGreenshank, Avocet, and Black-winged Stilt up to Greater Flamingo.


Greater Flamingo (Phoenicopterus roseus)

We stopped at several sites around the salt ponds and I saw another lifer; a large flock or two of Slender-billed Gull dotted with Black-headed Gull and a Mediterranean Gull.


Slender-billed Gull (Chroicocephalus genei) and Black-headed Gull (Chroicocephalus ridibundus)

We stayed until the sun, which had blazed through clear blue all day, eventually bathed us in soft and cool golden light.


The chevrons point towards Mr L and the sun

It was close to dusk when I ticked off my fourth lifer of the day: a pair of Whiskered Tern that circled and skimmed a small roadside pool.


Whiskered Tern (Chlidonias hybrida)

Finally it would feel rude of me not to mention one more bird. Throughout the day, the species that seemed to keep us company the most – irrespective of habitat, was Black Redstart.


Black Redstart (Phoenicurus ochruros)

Jonathan travels a lot. I mean A LOT. He signs off his excellent trip reports with a photo of a stuffed panther called Snuffy. So I decided to do something in the spirit of an Attenborough documentary style ‘diary’ (US readers won’t know what this means as I believe the ten minute short ‘making-of’ films at the end of wildlife documentaries don’t make it across the pond as they are the result of packaged-up ad break times).

Here is a secret peak* into the making of the famous ‘Snuffy shots’:


Jono and Snuffy with the end result courtesy of Wanstead Birder

*At a couple of points, passing cars would sound their horns at us. I wondered why, but then I was taking a photo of a man taking a photo of a stuffed panther. Nothing to see here! Move along now people!

The valleys

No, not Wales. I mean the valleys that make up my second patch in the foothills of the Pyrenees. I often climb our highest hill, Mont Major (about 530m above sea level), and just sit and look over the next valley and further South to the Pyrenees.


200m vertically from me down to the valley floor –  a view I have photographed a hundred times

I have sat here and watched Golden Eagles on several occasions, but not this trip. Crag Martins seemed to scrape the rocks (to the right of the photo above) they flew so close in. One afternoon a much bigger shape scythed past me – it was noticeably larger than Common Swift – which I had seen drifting past in small migratory flocks – and the bright white underside showed well. For a life tick I identified it almost immediately: Alpine Swift. Unfortunately, I didn’t really manage to photograph it and only got the back view with a slight showing of the white as it flew hard and fast and south, parallel with my eyeline over the valley and towards the mountains beyond.


Alpine Swift (Tachymarptis melba)

Further down the hillside, there was a lot of noise. I saw a pair of Bee-eaters hawking low over the maquis bushes. They settled back on the same tree time and again. I then realised that there weren’t two, but three, then four, five, eight, and eventually 12 of them all together. They were a long way away and below me, but I managed this photo in which nine Bee-eaters can be seen together.


European Bee-eater (Merops apiaster)

What do you mean you can’t see them?! Treat it like a game of ‘Where’s Wally’ – there really are nine showing in the photo. if you have given up, here is the photo again with each Bee-eater circled, including the four together on the lower-left branch.


12 Bee-eaters together was a European record for me. A record that would be broken just a few days later when 33 flew over our house in a single flock or ‘colony’ – I managed to get all of them in a single frame.


Crossing over the ridge from one valley to the next was another bird hawking for large insects.


Hobby (Falco subbuteo)


At one point another shape flashed out of the trees beside me and straight at the Hobby as if to mob it. I managed to steal a single usable photo of of it as it went over my head. Given the proximity, it had me thinking Goshawk at first, but was actually a large female Sparrowhawk.


Eurasian Sparrowhawk (Accipiter nisus)

Over the week we were there, the number and variety of raptors was poor. I imagine many of the Short-toed Eagle‘s must have flown South already. But the paucity of variety was mitigated by a second patch sighting of Griffon Vulture which flew straight over our house, albeit very high.


Griffon Vulture (Gyps fulvus)

Back down on the land, my wife must get the credit for spotting a bird fly across our path as we went for a walk. It turned out to be another patch tick for me (one of the three this trip, alongside the Alpine Swift and the … err… Lesser Whitethroat): Red-backed Shrike. It obviously enjoyed hunting on the land as I saw it again, along with a second bird a few days later. I have long known that the area is ideal for Shrikes and so am amazed it has taken almost a decade for me to find one two here.


Red-backed Shrike (Lanius collurio)

The wonderful – but at the same time, difficult – thing about my French patch is that I am the only birder. All the birds are self-found in just two or three short trips a year.

So, a three patch-tick trip – not bad. About average actually, although inevitably the number of new species will taper off as my list starts to creep up into respectability. But there was actually another ‘tick’ to be had on this trip. Not a patch tick (sadly), but a full-blown life tick, albeit belatedly…

I had nipped out to the shops for some groceries and drove out a bit beyond the nearest villages – wonderful examples of rural French charm.


“Dubo, Dubon, Dubonnet” – Saint Laurent-de-la-Cabrerisse

I watched a chattering of Red-billed Chough circle in the sky and then drove on. Through tree-lined roads and fields of French farming… when something caught my eye. Acrobatic flight from narrow-winged raptors low down over the field. A male and female by the look of it. I am used to seeing Hen Harrier on my patch so I didn’t question that they could have been anything else. That was foolish! I pulled over and clicked off a couple of very distant shots from the car and then drove on to get supplies of cheese and wine.

It was only later when reviewing the dreadful quality photos that I realised these weren’t Hen Harrier at all, but Montagu’s Harrier. In the cropped versions of the photos the thin  black wing-band can be seen and the extensive black wing-tips stretching down much further on both upper and under side of the wing than we would see with Hen Harrier.


Montagu’s Harrier (Circus pygargus)

These could be birds that have spent the summer here or they could be stopping for food and frolics part-way on a journey south through Europe on their way to Africa. This means I have finally seen all of the European Harriers, having only relatively recently ticked off Pallid Harrier in Norfolk, alongside our Hen Harrier (or what is left of them before grouse-shooting estates make them extinct in England and beyond) and the conservation success story that is Marsh Harrier.

My French Patch list is still small, but it has some cracking birds on it and I feel a real sense of achievement with every new sighting as the sole birder in these remote valleys. After a scorching day in the field, I often sit back in the late afternoon and early evening with a glass of wine, beer, or a gin & tonic looking out over our valley and reflect on what I have seen and how lucky I am to experience it.


Concrete at Creekmouth

My local river, the Roding, leaves the ‘Patch’ through a grate and flows a final five kilometres before discharging into the Thames at Barking Creekmouth. I finally visited this stretch a few days ago, finding a path hidden behind a cinema on an uninspiring retail park.

Government money has poured into this area and a mini nature reserve around the final muddy stretch of the river is well maintained.


Warehouses, reeds, then mud and water. The low-tide trickle still had over seventy Teal dotted along the water like punctuation marks added at random to a stream of consciousness, and ended with the exclamation of a few paddling Shelduck. But what consciousness?

Fences and reeds provide barriers and curtains as if protecting the modesty of this dying river. But is it dying? It certainly meets its end at a Guillotine.


The barrier at Creekmouth

Some three hundred tons of metal that can descend down forty metre towers of concrete to decapitate the river and cauterise the risk of flood.

The river oozes through mud and is seemingly contained in a sarcophagus of concrete on either side. To the East, the industry of demolition and waste, of scrap, rubbish, and recycling. Things being churned up by metal claws and blades and then re-processed somehow, I don’t know how; or disposed of somewhere – burnt or buried, but – like energy – never truly destroyed.


Meanwhile, on the western bank, another form of waste is processed. The huge concrete dials of Beckton sewage works with hands that turn day and night, but tell a story other than time.


Beckton sewage

Effluence in, again processed, and then water out. On one side of a path, the slow snaking river – the Roding – and on the other, a man-made waterway of processed man-made waste flowing straight and dark towards the same fate as its natural neighbour: discharge in the Thames.


The concrete, the waste, the rubbish, the noise, but also… the wild. It is also here. While peering into the deep flow of this canal, this final sewer, an explosion of sound alerted me to the presence of a Cetti’s Warbler in the reeds behind me; present yet, of course, invisible.

Willows line one side of the path, while prison-style fences line the other, not keeping inmates in, but trespassers out – as if a sewage farm is an enticing prospect for break-and-entry.


And then it ends. Both waterways, ‘natural’ and constructed, empty into the estuarine Thames. It ends, but it does not die – a river is surely the ultimate riddle or dichotomy of life: it has a beginning and an end, but it does not finish; finite yet also ‘in’-finite. So not death. But death has visited this place.

In 1878 – where the freshwater flow of the Roding meets the brackish behemoth of the Thames – two boats collided and sank. Some 650 souls lost in a matter of minutes – many drowning, not in water, but in raw sewage according to accounts of this horrendous disaster – to this day the worst ever single incident recorded in British history.


The water continues to flow, the waste continues to churn… and a Chiffchaff continues to sing in this extraordinary place of life, death, change, and continuity. A place out of sight for most, unattractive to many, abandoned by some… perhaps abandoned by many… but not by all.


Underneath the bridge

Underneath the bridge
The tarp has sprung a leak
And the animals I’ve trapped
Have all become my pets
And I’m living off of grass
And the drippings from the ceiling

– Nirvana, Something in the Way

Sometimes, life clings onto existence despite our best efforts.


Underside of bridge, Trafalgar Way, Canary Wharf

There is, perhaps, nowhere in the UK as synthetically urban as Canary Wharf. The towers of glass and steel, the steeples of Mammon, that rise out of the graveyard of industrial London’s docklands. Concrete on top of brick on top of mud with the wild ghosts of the ancient marshlands which, for the last two hundred years, have been choked and buried beneath rubble, foundations, and man-made waterways.

But still life pushes its way through, crowding the unloved and functionless corners and crannies. These are places of ‘weeds’ (“a plant growing in the wrong place”); ‘wrong’ as in unwanted.

Underneath a bridge on the eastern boundary of Canary Wharf, pushing aside the pebbles and litter grows a selection of these weeds in the shadows of the graffiti-emblazoned concrete. Catching only the morning sun and occasional spray of horizontally blown rain, these are hardy plants defying the odds of survival like some rarely encountered high-altitude mountain perennial.


Plants and litter

Amidst the rubble and litter (and yes, those are a pair of pink mens’ boxer shorts), I counted at least 12 species of plant, and there were probably many more.

These are the ‘despite’ organisms. Things that flourish despite the best efforts of humans to sanitise the environs for the office workers like me. ‘Weed’ is a word constructed by humans placing a subjective value judgement on another living being; its life reduced to its value, or in this case ‘lack of’ value, in relation to our lives. This can also be said of the word ‘nature’, almost defined by its ‘otherness’ to the life, existence, and influences of humans, as if, really, we are anything other than just one of the 8.7 million species of lifeforms clinging to this rock as we all hurtle through space.

But perhaps there is an ‘otherness’, not so much of the perceived inferiority of all other life on our home planet, but in the way that we desperately seek to separate ourselves from it, to tame it, to exploit it, or simply to destroy it. That ‘otherness’ has been culturally stamped into us through the centuries by the Abrahamic religions and their comprehensive rejection of anything that might be perceived as ‘animism’. That ‘otherness’ that justifies our subjugation of everything else in the world in the name of ‘progress’.

Setting aside the organisms trampled by ‘progress’ – the birds, butterflies, mammals, and plants now extinct due to the excesses of us – these swarming narcissistic bald apes – a few living beings have the audacity to flourish in our shadows. The ‘weeds’ under the bridge; the gulls that circle the fish market just a short walk from the bridge; the rats that are largely unseen, but we all know are there under the bridge and shudder because of it; and the feral pigeons that roost and brood in the gaps under the bridge. These are organisms that disgust us; feeders on filth, parasites, and vermin. But what really disgusts us? Is it the rats, and pigeons, and weeds, or the fact that they simply reflect the wasteful profligacy with which we live our lives? 

‘Nature’ is ‘good’ when it is beamed into our warm living rooms preserved within the aspic of pixels and remoteness, and preferably with a voiceover by Sir David Attenborough or Morgan Freeman. The vulnerability of distant endangered creatures pulling at our heart-strings as we cook, burn, pollute, and trash our planet, whilst the small section of life that has adapted rather well to our appetite for excess and destruction, makes us recoil in fear and disgust.

If you ever want to be reminded that humanity and nature are ‘one’, just take a long hard look underneath the bridge.

If this post was a little hard for you to stomach, don’t worry I shall return with quainter tales of patch birding soon. If this post intrigued you, you may wish to investigate some of these thoughts – more elegantly and thoughtfully put – through The Dark Mountain Project.


So, Amsterdam, where have you been all my life?

I have actually been to Amsterdam a few times before, but only changing flights at Schiphol so I had never actually seen the famous city. I rectified that last weekend with my wife and in-laws (my sister in-law is lucky enough to live in this amazing city).


It is, of course, the city that never should have been. A city reclaimed from the sea, with a web of famous canals below sea level while the city itself is propped up by pillars.

The famous canals curve round to feed (or, more accurately, be fed by) the Amstel and the mighty IJ – defined by some as  a river and others a lake, whilst it looks like a narrow strip of sea to me from the map. The Amstel not only gave its name to the beer, but to the city itself.


The Amstel







Amsterdam is also famous for bicycles (millions of these!), and art…

The Rijksmuseum is impressive.


The Rijksmuseum

The Vermeer’s are exquisite , the Rembrandt’s are sublime, and there are some other hidden gems in this huge gallery that drew my attention but wouldn’t, perhaps, be featured in any highlight guide of the museum.

From the titillating (this painting of a young woman removing her stocking and exposing her thighs was seen as so outrageously erotic when first unveiled, it was partially painted over)…


Woman at her Toilet, Jan Havicksz. Steen, 1655-1660

… to the spiritual. I was captivated by this chap (below). His name is Ajita. He is one of the legendary Arhats or lohans, a Buddhist sage tasked with preserving the doctrines until the time when the teachings can be understood. He is listening carefully and serenely to a sutra being recited. In an age where we struggle to listen, I think many of us could learn from Ajita.


A lohan, anonymous. China, c.1200-1400

I drooled over the museum’s library…


Rijksmuseum library

…and even got some satisfaction for my main interest…


Drake Pintail, Rochus van Veen. 1682

Amsterdam is, of course, famous for one or two other things as well. All I will say on those matters is that if the salesperson in a coffeeshop tells you that a ‘space-cake’ is for sharing between two, don’t eat a whole one!


Coffeeshop, Amsterdam