Underneath the bridge
The tarp has sprung a leak
And the animals I’ve trapped
Have all become my pets
And I’m living off of grass
And the drippings from the ceiling
– Nirvana, Something in the Way
Sometimes, life clings onto existence despite our best efforts.There is, perhaps, nowhere in the UK as synthetically urban as Canary Wharf. The towers of glass and steel, the steeples of Mammon, that rise out of the graveyard of industrial London’s docklands. Concrete on top of brick on top of mud with the wild ghosts of the ancient marshlands which, for the last two hundred years, have been choked and buried beneath rubble, foundations, and man-made waterways.
But still life pushes its way through, crowding the unloved and functionless corners and crannies. These are places of ‘weeds’ (“a plant growing in the wrong place”); ‘wrong’ as in unwanted.
Underneath a bridge on the eastern boundary of Canary Wharf, pushing aside the pebbles and litter grows a selection of these weeds in the shadows of the graffiti-emblazoned concrete. Catching only the morning sun and occasional spray of horizontally blown rain, these are hardy plants defying the odds of survival like some rarely encountered high-altitude mountain perennial.Amidst the rubble and litter (and yes, those are a pair of pink mens’ boxer shorts), I counted at least 12 species of plant, and there were probably many more.
These are the ‘despite’ organisms. Things that flourish despite the best efforts of humans to sanitise the environs for the office workers like me. ‘Weed’ is a word constructed by humans placing a subjective value judgement on another living being; its life reduced to its value, or in this case ‘lack of’ value, in relation to our lives. This can also be said of the word ‘nature’, almost defined by its ‘otherness’ to the life, existence, and influences of humans, as if, really, we are anything other than just one of the 8.7 million species of lifeforms clinging to this rock as we all hurtle through space.
But perhaps there is an ‘otherness’, not so much of the perceived inferiority of all other life on our home planet, but in the way that we desperately seek to separate ourselves from it, to tame it, to exploit it, or simply to destroy it. That ‘otherness’ has been culturally stamped into us through the centuries by the Abrahamic religions and their comprehensive rejection of anything that might be perceived as ‘animism’. That ‘otherness’ that justifies our subjugation of everything else in the world in the name of ‘progress’.
Setting aside the organisms trampled by ‘progress’ – the birds, butterflies, mammals, and plants now extinct due to the excesses of us – these swarming narcissistic bald apes – a few living beings have the audacity to flourish in our shadows. The ‘weeds’ under the bridge; the gulls that circle the fish market just a short walk from the bridge; the rats that are largely unseen, but we all know are there under the bridge and shudder because of it; and the feral pigeons that roost and brood in the gaps under the bridge. These are organisms that disgust us; feeders on filth, parasites, and vermin. But what really disgusts us? Is it the rats, and pigeons, and weeds, or the fact that they simply reflect the wasteful profligacy with which we live our lives?
‘Nature’ is ‘good’ when it is beamed into our warm living rooms preserved within the aspic of pixels and remoteness, and preferably with a voiceover by Sir David Attenborough or Morgan Freeman. The vulnerability of distant endangered creatures pulling at our heart-strings as we cook, burn, pollute, and trash our planet, whilst the small section of life that has adapted rather well to our appetite for excess and destruction, makes us recoil in fear and disgust.
If you ever want to be reminded that humanity and nature are ‘one’, just take a long hard look underneath the bridge.
If this post was a little hard for you to stomach, don’t worry I shall return with quainter tales of patch birding soon. If this post intrigued you, you may wish to investigate some of these thoughts – more elegantly and thoughtfully put – through The Dark Mountain Project.