The sounds of Mirkwood

“As their eyes became used to the dimness they could see a little way to either side in a sort of darkened green glimmer.” – J.R.R. Tolkein, The Hobbit

Tonight, I ventured into a mirky wood. Not the Mirkwood of myth and Middle Earth, but my local Bush Wood. I went to listen for Tawny Owl, but heard the sound of monsters instead; not a giant spider, but something far worse.

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A Bush Wood Tawny Owl for 2017 eludes me still.

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I trod carefully through the wood tonight, but as my eyes became accustomed to the gloom, the silver light of the moon (albeit somewhat softened by the urban glow) illuminated the paths quite well for me: hardened mud tracks glimmered softly and reassuringly; whilst darker patches warned of churned up mud; and, puddles shone clearly like warning beacons.

Even taking deeper woodland paths was easy enough and when I reached the space known as the ‘clearing’, the grass glowed.

The wood itself was silent; no owls, no birds at all except a single short alarm call from a Blackbird.

During the day, I often notice how the sounds of traffic quieten as you move deeper into the trees; wood, leaf, mud, and moss seeming to muffle the urban roar and allowing the sounds of the wood to be heard more clearly: most particularly the calls and songs of the woodland birds. But tonight, that magic of the daylight hours appeared to have worn off; even deep within the wood, the traffic sounds filled my head. Our flight paths seemed to have got lower and louder, and the bell-ringers in the local church chimed long and loud.

There was incongruity between the eerie shadows of being alone in a wood at night, and the familiar scream of the metropolis which pervaded every corner absolutely. Any fear of the unknown was drowned out by the sounds of the only-too-familiar.

Turning my camera phone to the trees, the flash-light picked out the branches like green fingers stretching out from the darkness.

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Where my eyes picked up the nuances of the woodland shadow, the camera flash replaced them with the sharp contrast of close and far; light and dark. Only very faint ghostly lines appear out of the darkness in the images, where my eyes could at least pick out a range of silhouetted shapes.

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In the dark, so much more than the day, the wood seemed to be betrayed by the artificial lights and the mechanised noise of the surrounding city.

Was it the wood that was betrayed? Or was it me and my sensibilities? I had come in search of an owl, but I had also come to embrace the peace of the wood at night. The trepidation that still exists in adulthood towards a wood at night, a fear that must have truly primeval roots felt like something ‘real’ I wanted to experience; but it was somewhat shattered by the W19 bus, the Boeing 777 from Tel Aviv to Heathrow, or the motorbike going past at double the local speed limit.

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The moment the Boeing 777 passed over my head, thanks to Flightradar24.com

I keep returning to the wood to look for ‘something’ but I clearly need to look and listen a little more deeply; to the wood and to myself.

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The ‘green glimmer’ of a street light, not Shelob’s lair

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